What will YOU write in 2025?
For new, emerging and established playwrights living in Victoria, MWT is the place to be in 2025. Whether you have written a play or would like to, chances are we have a program, production opportunity, showcase event or online workshop that is a perfect match for your script and your skills and will help you, creator of the first and owner of the second, to grow bigger and shine brighter.
We have hit the ground running in 2025. From 12th – 18th March we presented our SEASON 2025 at The Stables @ Meat Market. A double-bill event, this season of new writing by MWT members saw us presenting the full-length play Lyceum Highway – winner of The 2025 Amethyst Award – followed by a collection of new monologues in the showcase Metropolis Monologues. 11 playwrights, 11 actors, 2 directors and a talented crew came together in this annual event – if you missed it, please check out our dedicated page featuring photos, footage, show summaries and reviews.
Our intensive dramaturgical program Page to Stage is returning for a fifth year in 2025 – submissions opened on 1st March and closed on 30th April, with selection now underway. EOIs for Gasworks Script Lab, presented again by MWT in partnership with Gasworks Arts Park, opened on 1st May and will close on 16th May. EOIs for The Green Room Project, a new creative writing program presented by Wyndham Cultural Centre in partnership with MWT, closed on 4th April – we look forward to starting this program with our 10 selected participants on 3rd May! And in between these opportunities are our free monthly online Workshops, providing both skills and an opportunity to meet and connect with MWT playwrights and artists.
We’d love you to be a part of the MWT journey, so take a moment to wander through our website and find out what we can offer you. If you’re not already a member of Melbourne Writers’ Theatre, we encourage you to join. If you’d like to be added to our Playbill mailing list, click here. For all other queries, contact us.
Whichever part of Victoria you come from, whoever you are, whatever you have written and whatever you will write in 2025, MWT is here to support you and your creative aspirations.
2025 CALENDAR
Our free monthly Workshops are held on Zoom on the first MONDAY of the month from 7pm – 8pm. They are created especially for MWT members, though non-members are also welcome to come along and see what we do at MWT! After each workshop, attendees may choose to stay online for an informal chat and catch-up. Details of our 2025 sessions can be found on the EVENTS page. Below is the Calendar at a glance.
February 3
Workshop #1
The Feedback Process
Featured writer: Hayden Dun
*Zoom
This first workshop for 2025 was preceded at 6pm by the AGM.
March 3
Workshop #2
Monologues that Sing
A Q&A with Jennifer Munday & Katrina Mathers
* Zoom
April 7
Workshop #3
To Plan or not to Plan?
Facilitator: Megan J. Riedl
* Zoom
May 5
EVENT
The 2025 Theatre Quiz
Host: Ian Robinson
* Zoom
June 2
Workshop #5
What Makes this Theatre?
Facilitator: TBA
* Zoom
July 7
Workshop #6
The Winter Read
Facilitator: TBA
* Zoom
August 4
Workshop #7
Selling your Script
Facilitator: TBA
* Zoom
September 1
Workshop #8
Antagonist vs Protagonist
Facilitator: TBA
* Zoom
October 6
Workshop #9
Self-promotion for Playwrights
Facilitator: TBA
* Zoom
November 10, 17, 24
UNESCO Workshop Series
Facilitator: TBA
* Zoom
Show photos by Anna Moloney-Heath, John A. Edwards and Cosima Gilbert
P a g e
t o
STAGE
2 0 2 5
Q & A with Hayden Dun
Hayden participated in Gasworks Script Lab 2024. Here he talks about the short play he wrote in the program.
What is the name of your short play and what, briefly, is it about?
The title of my short play is ‘Second Chance’. The play follows two gay male detectives in the year 2044, who investigate the mysterious death of an elderly woman found in their best friend’s apartment.What was the inspiration for it?
The play was inspired by my experience in Melbourne’s queer, particularly gay male, community, which has a strong focus on youth, aesthetics, and drug use. In my experience, this scene embraces Botox, fillers, steroids and recreational drug use more than the general population. Additionally, I’ve always had a passion for sci-fi, so this story is a combination of two topics that interest me.You have considerable writing and performing experience in various music worlds. How have you found the workshops’ focus on a new, short-form play with its dialogue-driven script?
Wonderful. I have learned many things I would never have considered. For example, my script initially had multiple settings, but I realised with the help of our mentor that keeping the story in one location made the play much more engaging—especially for a short play. I’ve learned that giving a character a repeating catchphrase is satisfying, and that having characters echo snippets from previous lines in their responses can give dialogue more punch. These little tricks are things I now notice in successful movies and shows.
Hayden’s script will be presented at Showcase Night 1 of Gasworks Script Lab.
Photos:
Top: Hayden Dun in a workshop for Gasworks Script Lab 2024. *Photo by MWT
Bottom: Hayden Dun in performance. *Photo supplied by writer
Interview by Ros Varley
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